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But it feels like Hari loses the grip post interval a bit and the film plods in the second half, with misplaced song sequences and repetitive action blocks.Īll said and done, Poojai is still a watchable entertainer to spend time on, with your family on a festive day. However, once the main story gets going, all is forgotten and the director takes us through a roller coaster in the first half.
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At the same time, the stunt choreographer must be appreciated for his work in the pre-interval action block.Īs for the noticeable minuses, the film has a torrent of juvenility in terms of scene design, particularly the intro sequences of the central characters. Like in all Hari movies, cinematographer Priyan and editors VT Vijayan and TS Jai have delivered rapid visuals, which at certain stunt sequences don’t present us opportunities to question about its implausible nature. Yuvan is functional in the background music and songs. Though forced, the comedy sequences do work decently, thanks to Soori, Pandi and Imman Annachi’s comic senses and timings. Satyaraj, Radikaa Sarath Kumar, Prathap Pothen, Thalaivasal Vijay, Jayaprakash, Kousalya and Sithara bring experience to the table. Shruti Haasan, as Vishal’s love interest, plays a good-natured, jaunty girl next door and also oozes with glamour in the song sequences. Vishal brings in his macho image back and his energetic performance, tough looks and subtle expressions are the biggest strengths of the movie. The misconceptions, coincidences and the consequences make Poojai. Poojai is a story of Vasu (Vishal), who accidentally comes in the way of a contract killer Anna Thandavam, well played by Mukesh Tiwari. Poojai has it all and this time Vishal, after experimenting a tad with his performances in his last two outings, has come out with an out and out commercial action movie, just to treat his hardcore fan base, this Deepavali. Loud and fierce men, flying SUVs and shimmering billhooks are a package that comes with all the movies of Hari and he himself has always been confirming that this is indeed his style. appears in 4-5 scenes only.Ĭast: Jayaprakash, Radhika, Sathyaraj, Shruti Haasan, Soori, Vishal Samuthrakani - prefect for villain character. pranitha - appears in flash backs and holds her character tightly. Venkat prabhu gave a massive of the year. Praveen Kl - (50th film) superb editing. gave different angles for horror,comedy and fights scenes rajasekar - (25th film) super job good cinematography. Yuvan shankar raja superb background score. Hungama 2: Shilpa Shetty, Paresh Rawal Take Off to Manali to Shoot for Their Upcoming Comedy-Drama.#maasu_engira_masilamani (aka) #masss (aka) #massu review: We briefed up a fashion capsule of some of her brilliant ethnic style moments.Ī fitness enthusiast that she is, Pranitha's lithe frame, healthy skin, doe shaped eyes all add to the charm. An entrepreneur, philanthropist and a face of a multitude of brands, Pranitha's conscious fashionable tidings are a delight! She turns a year older today. Rich Kanjeevaram silks, flowy contemporary ensembles, flirty chiffons in classic prints all feature in her carefully curated and always pretty fashion repertoire. With an impending debut in Bollywood with Bhuj:The Pride Of India, Pranita goes on to flaunt a sound fashion sense that's accentuated by ethnic styles. She debuted with the Kannada film, Porki, going on to appear in several commercially successful Telugu and Tamil films like Baava (2010), Attarintiki Daredi (2013), Massu Engira Masilamani (2015), and Enakku Vaaitha Adimaigal, Bheema Theeradalli (2012). Pranitha Subhash, the South Indian actress who predominantly appears in Kannada, Telugu and Tamil films is a delight to reckon with.